I love watching Irish step dancers, their feet tapping
POETRY
by Theodora Ziolkowski
as if jerked by invisible strings. I am good at copying, especially if there is a mirror
in front of me. A cat also learns by imitating. She curls up in her owner’s arms.
She sleeps the day away. In the cartoon, Tom’s attempts to catch Jerry always end
in disaster. This is funny because in fables we are prepared for the cat to be clever.
Today a woman called our splitting a “death,” explaining that when two people
join lives then sever their union, death is the result of its dissolution.
Obviously, a body goes until it doesn’t. My husband is the reason
I hole out my wardrobe, give my sister all my old dresses,
then see his hands on the straps & pockets as she models the red one
& asks: Do you like it? It’s not easy to be left in the dark,
to confront a shade of myself. How I used to set the table
with real silver, arrange across a plate the scallops I selected
from beds of crushed ice. How long will it take for my body
to become familiar? A cat is a witch’s familiar.
The two are meant to stay together. Yes, I did in fact take the cat
& my husband was the one to nail that broomstick above my writing desk.
I now know why I felt trapped. How naturally he appeared every night
in the doorway, light fizzing inside the lamp that he carried.
Theodora Ziolkowski is the author of the novella On the Rocks, winner of a 2018 Next Generation Indie Book Award, and the short story chapbook Mother Tongues. Her fiction, poetry, and essays have appeared in Glimmer Train, The Writer’s Chronicle, Short Fiction, and elsewhere. Previously, Ziolkowski served as Poetry Editor for Gulf Coast and Fiction Editor for Big Fiction. She currently teaches creative writing as an Assistant Professor at the University of Nebraska at Kearney. Her debut collection of poems, Ghostlit, is forthcoming from Texas Review Press in Spring 2025.
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